in an alternate reality, TRESE was nominated for a Hugo Award

What I Would Have Nominated for the Hugos If I Weren't Such a Goober
by Andrew Wheeler

In the end, though, these five books below are the ones I should have nominated, and, in some better world, I have to hope that I actually did so. Some are pretty obscure, but all are distinctive, powerful works of imagination that both entertain and provoke thought, and all are, in my humble opinion, entirely worthy of the Hugo award: 
 
Trese: Mass Murders by Budjette Tan and KaJo Baldisimo. Yes, I know that it's probably impossible to find in North America, and that it could never have gotten on the ballot. But it's some of the very best urban fantasy I've ever seen, set in a distinctive culture I don't already know everything about, with wonderfully atmospheric art from Baldisimo.

Andrew Wheeler has toiled in book publishing for 20 years. He spent 16 years as a bookclub editor (for the SFBC and others), and is now a Marketing Manager for John Wiley & Sons. He was a judge for the 2005 World Fantasy Awards and the 2008 Eisner Awards. He also reviewed a book a day for a year. He lives with The Wife and two mostly tame sons (Thing One, twelve; and Thing Two, ten) at an unspecified location in suburban New Jersey. He has been known to drive a minivan, and nearly all of his writings are best read in a tone of bemused sarcasm. Antick Musings’s manifesto is here. All opinions expressed here are entirely and purely those of Andrew Wheeler, and no one else.

TRESE reviewed in COMICMIX

Thanks to Charles Tan, comic book reviewer and editor Andrew Wheeler got copies of Trese, Elmer, and Martial Law Babies and posted a review at: http://www.comicmix.com/news/2009/04/23/review-three-dispatches-from-the-philippines/

I think this was the first time TRESE got reviewed by a foreigner and it was interesting to see that the Filipino elements in the story didn't get in the way of the telling the tale. Here's the review:

Trese is an altogether more conventional series: it’s a contemporary dark fantasy with a nourish affect, both in art and story, about a young woman in Manila – Alexandra Trese – who’s called in by the police on supernatural cases. The plots are pretty standard for the genre, though Tan does tell them well, with a knack for tough dialogue and important confrontations.

But the art is gorgeously inky, with a sometimes scratchy intimacy and flow. And Alexandra Trese has a whole new world of supernatural entities to work with – vampires and werewolves and faeries and wendigos have been picked over for generations, but kambal and aswang, tikbalang and tiyanak, those are another story. Tan has an entirely different mythology to work with – one he and his original audience knows well, and which he explains just enough so that non-Filipinos can figure them out. But they’re still new and exciting, the way supernatural beings should be – they may have rules and restraints but we don’t know what those are.

So Alexandra Trese’s exploits are more exciting than even those of another tough female investigator with a mysterious past would be, even more intriguing than another story illustrated by Ka-Jo Baldismo would be. And these two volumes are already very good urban fantasy to begin with.

I won’t try to describe all of the stories here, but you know the general type – mysteries about the supernatural, with a heroine we slowly learn more about, a woman with a direct connection to these creatures herself…whatever the exact nature of that connection is. Tan tells those stories well, and Baldismo shows us that world, in black-and-white frames that look like a world illuminated by lightning.