Friday, March 30, 2012

TRESE in Rogue (April 2012)


In the April issue of ROGUE (yup, the one with Solenn Heussaff tempting you with a bar of Magnum) you'll also get to read Mixkaela Villalon's "A Guide to Recognizing Your Heroes"

The top five comic book characters in the article were Manix's "Rakenrol Guy" who was labelled as "The Lone Bro"; while Darna was labelled "The Head Bitch", Polgas is the "The Pinoy Muttley", Zsazsa Zaturnnah is "The Gay Aphrodite" and Trese is "The Bonafide Asskicker."

Also mentioned in a sidebar article were Andong Agimat, the Kubori Kikiams, Gerry Alanguilan's Elmer, Manix's reporter from News Hardcore, and Greg Narvas' "I Was A Teenage Filipino Skinhead"

Yes, TRESE is in this issue! So, please go and get it! :-)

Sunday, March 25, 2012

LEGO KAMBAL









These Lego Kambal Men were ordered piece-by-piece by our friend Jig. He wanted to give it to me and Wella as a wedding gift, but finding all the right pieces took some time, so we were only able to receive it last week. Many thanks Jig!

Now... if we can only convince Lego to really produce a Trese and Kambal playset, then that would be great!


Friday, March 23, 2012

Keep On Drawing


Yesterday, I received an email from Ms. Eileen Sy, who accused me of influencing the decision of which people would get interviewed by C.B. Cebulski in his recent search for Marvel comic book artists.

Below is the email from Ms. Sy, after which you will read my reply to her, which I have decided to make public.


Budjette,

It's a shame that you forcibly included 8 of your buddies out of 34 artists in CB Cebulski's talent search. It can now be explained why more talented people were excluded.

Aspiring artists like us are now questioned your credibility and looked at you as the next greedy agent of comics artist.

I wonder why Migs Ramos is so disillusioned with your Trese garbage. The padrino system is still alive and kicking in person like you.

Shame on you!


===================================================
To: Ms. Eileen Sy

1
Out of the 34 artists shortlisted by C.B. Cebulski, only two of them were my friends. They were handpicked by Mr. Cebulski himself and his decision was not influenced by me or anyone else.

2
I am not a “comics agent” nor am I claiming to be anyone’s “comics agent.”

3
If you view my work as “garbage” then that is your opinion.

4
There was no “padrino system” used in choosing those 34 artists. Everyone got a fair chance of submitting and everyone was chosen based on what they submitted.

I know for a fact that my other friends submitted their portfolios and they did not get into the shortlist. These artists have won local awards for their comic book work, but Mr. Cebulski did not pick them. If I was really “forcibly including” people into the shortlist, then those friends of mine should’ve got in the list as well, but they didn’t.

There is no “favoritism” or “padrino system” when it comes to National Bookstore and local comic book creators.

Miguel Ramos and National Bookstore have shown full support to the local comic book scene, as well as support to all Filipino comic book creators.

In the past years, they have sponsored and supported the Metro Comic Con and the Komikon.

They recently hosted the “HeARTworks” comic book art charity event.

They have hosted the comic book launch of Gerry Alanguilan’s Elmer, and Superior, which was drawn by Leinil Yu and Gerry.

Go to the branches of National Bookstore now and you’ll see that they distribute all kinds of local comic books: from graphic novels published by Visprint, like Kikomachine, Trese, The Filipino Heroes League, Zsazsa Zaturnnah; to self-published comic books like Kalayaan, Bayan Knights, Pugad Baboy, and Beerkada.


Ms. Sy, if you feel bad that you didn’t get in the shortlist, then don’t blame it on me and don’t blame anyone else.

I have been writing comic books for the past 22 years and I have been rejected by Marvel Comics, DC Comics, and even Atlas Komiks.

I am lucky and blessed to have found a publisher like Visprint, who finally accepted my work and supports the stories I tell with Kajo. But before I found a publisher who accepted and approved of my work, it meant I had to keep writing and keep getting rejected for 17 years. And in the past five years, I have submitted and pitched “Trese” to Vertigo Comics, Marvel Comics, and Image Comics and I still got rejected. But that has not stopped me from writing more stories and from improving my craft.

In all those times I got rejected, I blamed no one else but myself.

And as I write my next story, I make sure that this is the best one I’ve written and hope that this will be the one that the publishers will like and get me accepted.

Lastly, if this were just an email critiquing my work then I would’ve probably replied to you in private. If you really believe that my work is “garbage”, then you are entitled to your own opinion and would feel no need to try and change that belief.

However, the reason I am responding publicly is because your baseless accusations casts doubt on the recent talent search conducted by Mr. Cebulski. It is unfair of you to say that some of them got in because of some “padrino system”.

Out of the 34 artists, there was a good mix of professional artists (those who have been published here and abroad) and amateur artists. There was even one who just graduated from college. They were all chosen based on the portfolio they submitted, based on their skill and hard work.

It is unfair of you to say that some of those artists didn’t deserve to be shortlisted. It is unfair of you to judge that they weren’t talented enough to be interviewed.

I am amazed that you took the time to sit down and write that email, make unfounded accusations, call me names and call my work garbage, when you could’ve used that time to draw more and improve your craft.

Keep on drawing, Ms. Sy. Just keep on drawing.

--budjette tan

p.s. if you ever want to show your new and improved portfolio to Mr. Cebulski, feel free to email him at : cbcebulski @marvel .com


Tuesday, March 13, 2012

Pacquiao meets Trese



Thanks to GenSan-based writer Gilbert Tan, Manny Pacquaio now has a copy of Trese Book 4. 

Gilbert met up with Manny for a magazine interview and he thought of giving Manny a copy of "Trese:Last Seen After Midnight"
 























The inspiration for the story of "Manuel the boxer" in FIGHT OF THE YEAR was, of course, inspired by the many wins and championship belts of Manny Pacquiao.


Whenever I'd hear the news report about the country having "zero crime rate" and rebels calling for a ceasefire during a Pacquiao fight, it made me wonder if the Philippines would have lasting peace if Pacquiao just fought everyday. Or maybe, just like in the olden days, the NPA or the MILF can send out their best solider to fight Pacquiao. If Manny defeats them, their entire army would have to surrender. It was crazy thought that slowly became the story. We've received many a lot of good feedback about FIGHT OF THE YEAR. We hope Manny liked it as well.


You can read the entire story of FIGHT OF THE YEAR at
ComixTrips on Facebook 
(click the link please)


Friday, March 09, 2012

Kajo art for charity auction

UPDATE: Kajo's artwork got sold for P5,000! Thank you very much to very one who placed a bid on it!


The original illustration of SeƱor Armanaz, Datu of the Tikbalang Tribe" by Kajo Baldisimo, will be auctioned of at the heARTworks event. 

March 10, 2012. 1 - 4pm. Powerbooks, Greenbelt.



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